{"id":1580,"date":"2014-03-10T13:01:56","date_gmt":"2014-03-10T07:31:56","guid":{"rendered":"http:\/\/puinquirer.edu.in\/?p=1580"},"modified":"2014-03-10T14:41:45","modified_gmt":"2014-03-10T09:11:45","slug":"divine-performance","status":"publish","type":"post","link":"https:\/\/puinquirer.edu.in\/?p=1580","title":{"rendered":"A Divine performance"},"content":{"rendered":"<p><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">In the far corner of the white town, tucked inside a quaint street, out of the chaos of daily life is a small theater of performance,<\/span><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">the Indianostrum Theatre. Dimly lit room, with old broken furniture at one end, rickety wooden planks hastily put together for the audience to sit, worn out doors and windows that made ominous creaking sound and the noisy fans on the wall. All in all, the place wasn\u2019t inviting at all. There was also that one flickering bulb to add to the effect of a horror building. But all thoughts about the dungeon was taken away from one\u2019s mind as Priya Srinivasan, alumni of Kalakshektra and student of Leela Sampsom came on stage. Her performance, Divinity, was a short yet lively Bharatnatyam recital performed at Indianostrum Theatre on 9 March, 2014.<\/span><\/p>\n<div id=\"attachment_1583\" style=\"width: 139px\" class=\"wp-caption alignright\"><a href=\"https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_002.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1583\" class=\" wp-image-1583  \" alt=\"Priya Srinivasan during her performance\" src=\"https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_002-141x300.jpg\" width=\"129\" height=\"273\" srcset=\"https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_002-141x300.jpg 141w, https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_002.jpg 410w\" sizes=\"auto, (max-width: 129px) 100vw, 129px\" \/><\/a><p id=\"caption-attachment-1583\" class=\"wp-caption-text\">Priya Srinivasan during her performance<\/p><\/div>\n<p><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">Priya began her performance with the <i>Thisra<\/i> <i>Alarippu,<\/i> an invocatory piece, offering her respect to the audience gathered. In this <i>nritta<\/i> piece, her command over the <i>laya<\/i> and <i>tala<\/i> of the dance was highlighted in every head shake and footwork. \u00a0As it was not a long performance, Priya didn&#8217;t go for the traditional full <i>margam<\/i>. Instead she tried to bring in dances pertaining to different genres. Her next piece was<i> Ananda Nadamidum Paadam<\/i> a <i>Keertanam<\/i> in <i>Kedaragowla<\/i> raga, glorifying the god of dance, <i>Nataraja<\/i> in all of his resplendence. Priya\u2019s quick yet precise footwork, her stage presence and an ever smiling face had the audience bewitched.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">Following her offering to the Lord <i>Nataraja<\/i>, she then proceeded to bid farewell to her beloved, Lord <i>Krishna<\/i> in a soulful rendition of the <i>Padam<\/i> <i>Mogadochi<\/i> <i>Pilachedu<\/i>, in the raga <i>Sahana<\/i>. Here she portrayed the role of a girl who was married as a child, and now her husband has come to claim her to start their marriage life. But she has always been in<\/span><\/p>\n<p><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">love with Lord <i>Krishna<\/i>, and now its time for her to bid farewell. In her adieu to the Lord, she says that like a lotus, which is so far away from the sun, yet always looks upto the sun, the days that I shared with you will forever be in my mind and can never be taken away by the growing distance. Her <i>abhinaya<\/i> was spot on and conveyed the pathos of the girl being portrayed.<\/span><\/p>\n<div id=\"attachment_1586\" style=\"width: 136px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_007.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1586\" class=\" wp-image-1586  \" alt=\"She looks for Krishna, her beloved\" src=\"https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_007-225x300.jpg\" width=\"126\" height=\"168\" srcset=\"https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_007-225x300.jpg 225w, https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_007-112x150.jpg 112w, https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_007-768x1024.jpg 768w, https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_007.jpg 1024w\" sizes=\"auto, (max-width: 126px) 100vw, 126px\" \/><\/a><p id=\"caption-attachment-1586\" class=\"wp-caption-text\">She looks for Lord Krishna, her beloved<\/p><\/div>\n<p><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">It doesn\u2019t end here, the next item on presentation for the evening was a bhajan by <i>Tulasidas<\/i>, <i>Sri<\/i> <i>Ramachandra<\/i> <i>Kripalu<\/i>, a devotional piece, in praise of Lord <i>Rama<\/i> rendered in <i>Hamsadwani<\/i> raga. The dance was accentuated by the vocalized syllabi that chanted the name <i>Rama<\/i> over and over to emphasise as well as add a rhythmic touch to the dance.\u00a0 Priya transformed into a devoutee who fully reveres her lord Rama enchanted the audience with her strong and graceful dance movements.<\/span><\/p>\n<div id=\"attachment_1584\" style=\"width: 135px\" class=\"wp-caption alignright\"><a href=\"https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_003.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1584\" class=\" wp-image-1584 \" alt=\"Priya's perfectly aligned geometric poses\" src=\"https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_003-209x300.jpg\" width=\"125\" height=\"180\" srcset=\"https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_003-209x300.jpg 209w, https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_003-104x150.jpg 104w, https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_003-713x1024.jpg 713w, https:\/\/puinquirer.edu.in\/wp-content\/uploads\/2014\/03\/priya_srinivasan_003.jpg 1024w\" sizes=\"auto, (max-width: 125px) 100vw, 125px\" \/><\/a><p id=\"caption-attachment-1584\" class=\"wp-caption-text\">Priya&#8217;s perfectly aligned geometric poses<\/p><\/div>\n<p><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">The recital was brought to a conclusion with a <i>Thillana<\/i> on <i>Hindolam<\/i> raga. The rhythmic\u00a0<\/span><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">geometrical patterns created through\u00a0<\/span><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">this dance were spell-binding. And Priya added more grace to the whole dance. Her recital was nothing new, nor was it out of the box. It was a simple, elegant and traditional performance. There wasn\u2019t much experimenting, and the dance items performed were not new either. Rather they have been performed by many seasoned artists for over a long period of time. But it was the simplicity of the dance that added a unique charm to the entire performance. Priya brought her own youthful exuberance into her performance leaving the audience craving for more and more.\u00a0<\/span><\/p>\n<p style=\"text-align: right;\">\n<p style=\"text-align: right;\">\n<p style=\"text-align: right;\"><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">Photos: Krishnaveni Ilanthirayan<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">Krishnaveni Ilanthirayan<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: small; font-family: arial, helvetica, sans-serif;\">1st M.A. Mass Communication<\/span><\/p>\n<div style=\"display:flex; gap:10px;justify-content:center\" class=\"wps-pgfw-pdf-generate-icon__wrapper-frontend\">\n\t\t<a  href=\"https:\/\/puinquirer.edu.in?action=genpdf&amp;id=1580\" class=\"pgfw-single-pdf-download-button\" ><img src=\"https:\/\/puinquirer.edu.in\/wp-content\/plugins\/pdf-generator-for-wp\/admin\/src\/images\/PDF_Tray.svg\" title=\"Generate PDF\" style=\"width:auto; height:45px;\"><\/a>\n\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>In the far corner of the white town, tucked inside a quaint street, out of the chaos of daily life is a small theater of performance,the Indianostrum Theatre. Dimly lit room, with old broken&#46;&#46;&#46;<\/p>\n","protected":false},"author":17,"featured_media":1582,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[98],"tags":[],"class_list":["post-1580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-s34-around-the-town"],"_links":{"self":[{"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=\/wp\/v2\/posts\/1580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1580"}],"version-history":[{"count":5,"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=\/wp\/v2\/posts\/1580\/revisions"}],"predecessor-version":[{"id":1612,"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=\/wp\/v2\/posts\/1580\/revisions\/1612"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=\/wp\/v2\/media\/1582"}],"wp:attachment":[{"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/puinquirer.edu.in\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}